Thriller conventions
A crime at the core of the narrative (often murder, but not necessarily).
A complex narrative structured, with false paths, clues and resolutions.
A narrative pattern of establishing enigmas which the viewer expects to be resolved.
A protagonist who is systematically dis-empowered and drawn into a complex web of intrigue by the antagonist.
Extraordinary events happening in ordinary situation.
Themes of identity.
Themes of mirroring.
Themes of voyeurism.
Protagonist with a ‘flaw’ which is exploited by the antagonist.
Titles often reflect an aspect of the protagonist or antagonist’s psychological state.
There is often a scene near the end of the film in which the protagonist in peril.
Mise-en-scene which echoes/mirrors the protagonist’s plight.
A crime at the core of the narrative (often murder, but not necessarily).
A complex narrative structured, with false paths, clues and resolutions.
A narrative pattern of establishing enigmas which the viewer expects to be resolved.
A protagonist who is systematically dis-empowered and drawn into a complex web of intrigue by the antagonist.
Extraordinary events happening in ordinary situation.
Themes of identity.
Themes of mirroring.
Themes of voyeurism.
Protagonist with a ‘flaw’ which is exploited by the antagonist.
Titles often reflect an aspect of the protagonist or antagonist’s psychological state.
There is often a scene near the end of the film in which the protagonist in peril.
Mise-en-scene which echoes/mirrors the protagonist’s plight.

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